The relevance of the research is due to the interest of modern literary criticism in the study of conceptual images of national literatures formed by the basic universals of ethnic consciousness. The novelty lies in the appeal to the image of homeland in Chinese literature through the prism of the historical-etymological and historical-literary reconstruction of the concept that reflects the ethno-psychological foundations of Chinese consciousness. The problem of the study is comparing a number of lexemes, concepts, artistic images that have formed over the centuries the modern idea of the homeland in the Chinese picture of the world. The purpose of the work is to analyze the evolution of the concept of “homeland” in the Chinese ethnic and national consciousness on the basis of dictionaries and works of Chinese literature from the Tang era to the 20th century. The methodology is based on the etymological, lexical and semantic reconstruction of the concept of “homeland” in the Chinese picture of the world, based on the historical and cultural context. The main research methods are comparative-historical and structural-semantic ones. As a result of the study, the author comes to the conclusion that the image of the homeland in the ethnic picture of the world of the Chinese was formed as the statehood and national identity of the peoples inhabiting China. In ancient China, the concept of homeland was associated with the place of birth of ancestors, native places, and the country of exodus of alien peoples. These connotations are most clearly found in the lyrics of the Tang era. By the beginning of the 20th century, with the rise of the national movement, the image of the Motherland, drawn from European culture, appeared in the Chinese ethnic consciousness. The Xinhai Revolution allowed the Chinese to discover the world and foreign lands. The image of the motherland-fatherland in this context appears as a correlate of the concept of a foreign land (Japan, England, America). The image of the Motherland, the Fathherland is used most actively in new Chinese literature during the period of anti-Japanese resistance. After the formation of the PRC and the formation of the national consciousness of a united China, which united many nationalities, among the connotative meanings of ideas about the homeland, the concept of the homeland as a home state is of primary importance.
该研究的相关性是由于现代文学批评对由民族意识的基本普遍性形成的民族文学概念图像的研究感兴趣。新颖之处在于通过反映中国意识的民族心理基础的概念的历史,语源学和历史文学重构来吸引中国文学对祖国的印象。该研究的问题是比较在世界中国画中形成了近百年来现代国土观念的大量词素,概念和艺术意象。这项工作的目的是根据唐代至20世纪中国文学的词典和作品,分析中国民族和民族意识中“家园”概念的演变。该方法基于历史和文化背景,对世界中国图片中“家园”概念进行了词源,词法和语义重构。主要的研究方法是比较历史的和结构语义的。研究的结果是,作者得出的结论是,在华人世界的种族图中,家园的形象是作为居住在中国的人民的国家地位和民族身份而形成的。在中国古代,祖国的概念与祖先的出生地,原住地以及外星人的流亡国有关。这些内涵最明显地出现在唐代歌词中。到20世纪初,随着民族运动的兴起,从欧洲文化中汲取的祖国形象出现在中国人的民族意识中。辛亥革命使中国人得以发现世界和外国土地。在这种情况下,祖国-祖国的形象似乎是异国(日本,英国,美国)概念的关联。抗日战争时期,祖国,法西兰的形象在中国新文学中得到了最积极的应用。在中华人民共和国成立以及统一了许多民族的统一中国的民族意识形成之后,在关于家园的观念的含义中,将家园作为家园国家的概念至关重要。