The study deals with the transfer of categories, techniques and discursive practices of Buddhist poetics into the realm of contemporary Chinese poetry. Authors, professing various aesthetic principles, demonstrate a distinct trend of incorporating the literary heritage of the Chan school and rethinking its linguistic philosophy in the light of their new assessment of the Western avant-garde.
该研究考察了过去四十年来，佛教诗学，个人技术和话语实践等类别向现代中国诗歌领域的转移。 声称具有不同美学原理的作者的著作显示出一种稳定的趋势，即掌握了西安学派的文学遗产，并结合西方先锋派的成就对它的语言哲学进行了重新思考。