The article analyzes the image of the wolf in “The Song of Igor's Campaign” and ancient Chinese literature. In the motive complex of artistic animalism of “The Song” the wolf is represented semantically multivalued. He acts as a symbolic function of the forerunner of tragic events, poeticizes as a legendary mythological werewolf, and is also intensively used as a comparison-personification. In ancient Chinese literature the wolf in the vast majority of texts acts as a carrier of negative emotions.
文章分析了《伊戈尔战役诗歌》和中国古代文学中的狼形象。 在艺术动物主义“《诗歌》的动机情结中，狼在语义上具有多种含义。 他扮演悲剧事件预兆的象征角色，被诗化为传说中的神话狼人，并被广泛用作比较人格化。 在中国古代文学中，绝大多数文字中的狼是负面情绪的载体。