The article is devoted to the problem of mutual influence of creative elites of China and Russia in the first half of the XX century in the aspect of formation of new theatrical art. The author came to the conclusion that the influence of Eastern traditions in General and Chinese traditional theater on such grandees as K. Stanislavsky, V. Meyerhold, S. Eisenstein was the determining factor in the formation of innovative directing techniques.
本文从新戏剧艺术的形成角度探讨了二十世纪上半叶中俄两国创意精英之间相互影响的问题。 作者得出的结论是，东方传统的通俗文化和中国传统戏剧对诸如K.Stanislavsky，V.Meyerhold，S.Eisenstein之类的人士的影响是形成创新导演技术的决定性因素。