The article outlines peculiarities of Chinese fine art created in various periods of time, such as presence of symbolic information on household items that have solely utilitarian role; dependence of usage of ornaments that decorate an item on its owner’s social status. The author notes specifics of the artistic language of Chinese landscape paintings related with a Chinese painter’s desire to sacralize nature. Also, the author points out the growth of professional art historians’ interest in the philosophy of Chinese fine art.
本文概述了在不同时期创作的中国美术的特殊性，例如存在仅具有功利作用的家居用品的象征性信息； 用来装饰物品的装饰品的使用依赖于其所有者的社会地位。 作者注意到中国山水画的艺术语言与中国画家渴望自然化的欲望有关的细节。 作者指出专业艺术史学家对中国美术哲学的兴趣在增长。