The main aim of the text is to tell about the influence of Chinese culture on Buryat Buddhist art is defined as the borrowing of a number of decorative techniques aimed at the outward appearance of Buryat temple art. The article notes that the cultural traditions of China influenced the formation of the artistic image of the Arhats and the White Elder in Buryat non-canonical art. The text reveals that all borrowing passed a regional interpretation by Buryat masters on their own, without the participation of foreign masters
文字的主要目的是讲述中国文化对布里亚特佛教艺术的影响，一些针对布里亚特寺庙艺术外观的装饰技术。 文章指出，所有借阅都是由布里亚特大师自己进行的区域性解释，没有外国大师的参与。