The art of calligraphy is of great interest; the aim of the article is to analyze the correlation of tradition and innovation in Chinese calligraphy period after the Cultural Revolution. The method of description and analysis is used to consider one of the directions of hieroglyphic calligraphy. The purpose of the article is to clarify the question of the influence of Western trends of the twentieth century on Chinese calligraphy and describe its new forms. As a result, it is noted that the influence of such trends as abstractionism, surrealism, expressionism and others. In the hieroglyphic calligraphy from the mid 1980-ies years formed the trend of destruction of language, as the destruction of the typical symbols, signification, and meanings. It is no coincidence that calligraphy, so closely connected with language culture, loses the meaning of the hieroglyph and gains value at the level of concept and idea.
书法艺术备受关注。 本文旨在分析文革后中国书法时期传统与创新的关系。 描述和分析方法用于考虑象形文字书法的方向之一。 本文旨在澄清二十世纪西方趋势对中国书法的影响，并描述其新形式。 结果，注意到诸如抽象主义，超现实主义，表现主义等趋势的影响。 在1980年代中期的象形文字书法中，随着典型符号，象征和意义的破坏，形成了语言破坏的趋势。 与语言文化紧密联系的书法失去象形文字的含义，并在概念和观念的层面上获得价值并不是偶然的。