In the centre of this research is the problem of translation, study and reception of Solzhenitsyn’s works in the People’s Republic of China. A Chinese scholar of Slavic languages and literature, the author points out that Solzhenitsyn studies in China would be understandably interrupted for political reasons only to be resumed later, due to the growing interest in the writer’s works. Starting from 1963, there have been two distinct lines of study: Solzhenitsyn’s biography and his literary legacy. The first topic mainly attracts Chinese writers, historians, cultural scholars, philosophers, and professional critics; they present the readers with biographical facts in the context of the history of Soviet labour camps, dissident movement, etc. The second topic has specialists in Russian studies and foreign literature exploring the eternal topics in Solzhenitsyn’s works as well as his innovative techniques. According to the author, contemporary Chinese literary criticism is concerned with the latter area of research, while reception of Solzhenitsyn’s works is changing from negative to positive.
本研究索尔仁尼琴作品在中华人民共和国的翻译、研究和接受问题。作为一位研究斯拉夫语言和文学的中国学者，作者指出，中国研究索尔仁尼琴的活动因为政治原因而中断，后来由于人们对索尔仁尼琴作品越来越感兴趣，才恢复。从1963年开始，有两个截然不同的研究方向：索尔仁尼琴的传记和他的文学遗产。第一个主题主要吸引了中国的作家、历史学家、文化学者、哲学家和专业评论家的兴趣。他们以苏联劳改营、异见运动的历史为背景，向读者呈现了一些传记的事实。第二个主题包括俄罗斯研究专家和外国文学专家的研究。他们探讨索尔仁尼琴作品中永恒的主题以及他的创新技巧。本文认为，当代中国文学批评关注的是后一个研究领域，而对索尔仁尼琴作品的接受正从消极走向积极。